Tsugaru Shamisen Concert by Toshie Suzuki


Tsugaru Shamisen Concert by Toshie Suzuki
A Japanese Tsugaru Shamisen player Toshie Suzuki from Oita, Austin sister city in Japan performed at
Casa de Luz Auditrium on Wednesday, September 16, 2009. It was a rare opportunity to listen to the unique soundof the traditional Japanese Shamisen. There were two duo pieces with a jazz piaist.
Toshie Suzuki began practicing Shamisen at 10 years old and moved to Tsugaru (Aomori Prefecture) to study Tsugaru Shaminsen; travelled in Asia and learned the sitar in India at 17 years old. She was the second-place winner in the Tugaru Shamisen contest for three years (2005-2007), and in 2008, the first winner of the women's Tsugaru Shamisen in Kobe and Osaka.
Tsugaru Shamisen has had a resounding impact on the Japanese musical soundscape over the last few decades. It has been transformed from a regional folk music genre to one of national and international popularity with traditional and modern styles.


Background info Tsugaru Shamisen
Three-Stringed Japanese Lute -
Tsugaru-Shamisen is one of the versions of Shamisen, a three stringed Japanese Lute, specially evolved in "Tsugaru" region in the northern part of Japan. Because of the heavy snowfall and painful long winter, Tsugaru people were in need of music as an emotional relief to struggle with severe life there. Tsugaru-Shamisen and its music will give audiences an impression of the strength of human as well as tenderness.
The root of Shamisen can be date back to Arabic Oud, the same as Lute in Europe. This instrument was apparently introduced to Japan from mainland China through southern islands laying between Japan and Taiwan in the 16th century. Although Shamisen was mainly used for chamber music at urban entertainment place initially, it had made dramatic development as a musical instrument for the stage of "Kabuki" and "Bunraku"(Puppet play) during the period of Edo year(1603-1868). As a result, the popularity of this instrument had been increased rapidly, and Shamisen was evolved as one of the most important instruments in Japanese classical music.
Tsugaru-Shamisen , one of the versions of Shamisen, was initially used of wandering blind artists who perform in front of people's house for their living, specially in Tsugaru region. Although, by the middle of the 19th century, Tsugaru-Shamisen was used simply to provide background music to folk singers, it came to be appreciated gradually as a solo or ensemble instrument, As a solo instrument, pieces for Tsugaru-Shamisen require very high technique for speedy playing, refined sense of dynamic rhythm and creativity for improvisation, like jazz music.
Now a days, such dynamic, powerful but soulful and sensitive sound of Tsugaru-Shamisen fascinates many people in Japan, and it became a boom within younger generation.